The Art of Children's Books Exhibition

Hi Chaps,

I wanted to write about 'The Illustrators: The Art of Children's Books Curated by Julia Donaldson' exhibition, which I saw a few days ago.

Basically it's an exhibition of illustrators who've illustrated Julia Donaldsons's books.
It was at the Rheged Centre just outside Penrith, info here - http://www.rheged.com/illustrators-art-childrens-books-curated-julia-donaldson-0
Here's the leaflet -

But it was very interesting indeed, it had examples of work by Axel Scheffler, Lydia Monks, David Roberts,
Emily Gravett, Joel Stewart, Paul Hess, Anna Currey and Thomas Docherty.
It was great to see the actual artwork, and some artists had supplied pencil roughs too.
There were some great ones by Anna Currey, which I enjoyed seeing.

It was especially good to see stuff by David Roberts and Lydia Monks, who I'm particular fans of, and own books by.
And there were some great streets and bulky clouds by Thomas Docherty.

The exhibition also had some great activities. there was a giant magnetic wall-mounted Gruffalo jigsaw and they had a Deep Dark Wood reading corner too, see the picture below.

And also a short film of Quentin Blake talking about his illustration, showing him working from roughs and idea sketches, very inspiring indeed.
So, if you're up by Penrith till 2nd Sept I recommend popping along.
Otherwise, I believe it's a touring exhibition, so keep a look out.

The Blooz Arrives

Look what arrived in the post, an actual copy of my book 'Stuck With the Blooz'.
Here it is just out of the package.

It's great to see it in real life and see all the pictures properly in real life on paper rather than on screen.
And with my Artist's head, rather than my Reader's head on, I do think it's been designed as a package really nicely.
Just noticing all the bits and bobs that the design team did with the cover etc.
I like the way they've echoed the stripes on the Blooz's Victorian swimsuit on the back cover and dust jacket, and have used the goldfish, crayon and paper plane on the dust jacket flaps and back cover.
Also, the picture of the Blooz dripping on the child was a favourite with everyone, but it had to be lost from the story on the inside, but a use was found for it on the back there, which was very nice.
Here are some pics of said bits.

And the paper texture is lovely. Really nice feel, and it shows off the colour and texture in the art really nicely too.
Well done indeed all the chaps at Harcourt.

But enough of me talking about the design and paper texture like some pretentious artist with a funny haircut and silly trousers.
Here's a sneak peek at one of the spreads.

Lawks, my book is out.

"Watch Your Tongue Cecily Beasley" is now actually available to actually buy.
It's published by Sterling in the US, but is also available in the UK.
You can get it on Amazon, Barnes and Noble, and The Book Depository.
It's a fun rhyming story written by Lane Fredrickson, and it was great to illustrate.
Here's Cecily -

And there are already a few reviews out for it, this is from Publishers Weekly
"It is said that the tongue is one of the strongest muscles in the human body, and the one belonging to ill-mannered Cecily Beasley is a whole lot stronger by the end of her ordeal in this cautionary tale. Cecily has many bad habits—“She tap-danced on tables./ She cartwheeled in dirt./ And she wrote, ‘I won’t share’ on the front of her shirt”—but worst of all is her tendency to stick out her tongue at friends and family alike. She is warned that her tongue might get stuck that way, and, wouldn’t you know it, it does just that. Debut author Fredrickson doesn’t stop there: a bird promptly builds a nest on Cecily’s tongue, forcing the girl to carry it around in front of her face. It’s not until the Mockingbeak Tongue-snatchers hatch (and promptly stick out their tongues at Cecily) that she has a change of heart. Fredrickson’s galloping verse delivers the story’s message with a light touch (and some clever rhymes), while British illustrator Davis’s loose, expressive cartoons make the most of the comic absurdity of the premise. Ages 4–7"http://www.publishersweekly.com/978-1-40277-089-0

And this is from Parents & Teachers Blog
“Cecily Beasley was never polite. She never said, ‘Thank you,’ or ‘Please,’ or ‘Good night.’”
Cecily Beasley is, in fact, a rather rotten little girl. She sticks out Her tongue at her teachers and ruins her friends’ birthday parties. Will she ever learn to be a polite young lady?
Lane Fredrickson and Jon Davis’ rhyming book about a girl who learns manners the hard way will be a laugh for children and parents alike. Kids will enjoy the tale of Cecily’s misadventures, and the book will give parents the opportunity to help their own children learn a lesson about how to be polite.
Not only does the book teach young readers a lesson, it’s also a joy to read. I love the humor of Fredrickson’s rhyme about Cecily, and Davis’ colorful illustrations are fun from the very first page. This book is great for those who need a brush-up on manners and those who enjoy a funny story."
http://parentteacher.uskidsmags.com/2012/07/26/watch-tongue-cecily-beasley/

So that's good, they're nice and positive.

So everyone rush out and buy it :)

The Blooz Is Coming!

Hi Chaps,

Well, I've got another book available to preorder.
This one is called 'Stuck With The Blooz', due out in October, published by the lovely people at Harcourt Children's Books in New York.

The story is about a child who is feeling blue, and is visited by a manifestation of a blue mood, called the Blooz., a big soggy lump of a thing.
But the story is about the child dealing with and coming to terms with the Blooz, and so the blue mood.
It's a very nice story indeed, written by Caron Levis, who you can find out more about here. But it was great fun to illustrate, and I'm really pleased with it.
I had the idea that the illustrations could start out quite washed out, with muted colours, and then gradually get more colourful as the child's mood lifts.

Everything was done via email for this, so I've not met or even actually spoken to the editors or author, but nevertheless it worked very well.
Even though the only communicated was via emails and with a 5 hour or so time difference too, I found it to be a good way to exchange feedback and ideas and get some really good creative stuff going.

So, here are a few spreads from the book, as a bit of a sneak peak.

As this was done with US publishers, it's available on Amazon and Barnes and Noble over there, and they are also publishing it over here in the UK too, so it's available on Amazon and The Book Depository here too.
Here are the links.
US
Amazon, Barnes and Noble
UK
Amazon, Book Depository

More Pirate Sketches

Arrrrr, I left these scurvy pictures off my last Pirate Post, so here are a couple more.The ship and the captain.
I really enjoyed doing all the decorative woodwork at the back of the ship, and was pleased with how the angle came out.
And with the captain, I was trying to get a real rough seadog sort of  character, but make him young child friendly too.

Pirates, Arrrr

Hi Chaps,

Well, I've just recently been working on a Pirate book, which has been great fun.
And, an interesting spin on it, is that it's also a game story book.
It's got a spinner on the front, so you don't need dice, and three board games inside which I had to design and draw as part of the book, too.
A bit of a challenge, but fun, and also quick. Eleven spreads, and covers and title page etc, and  from sketches to artwork delivery in just one month, which is the quickest I've done a whole book.
It's been a bit of a push, but I don't feel it's been rushed.
It's been great fun designing a galleon and a pirate captain, and a bunch of pirates for the crew, and a pirate map and everything.
So, as I've suddenly got a bunch of new work, I thought I'd post a couple of my preliminary sketches.

And, a quick note -
In my research, I found someone who'd put 'Oooh Arrrr' for pirates.
However, this is actually farmers ( See 'Brand New Combine Harvester' by The Wurzels)
Pirates just go 'Arrrr'.

Hurrah, A Review For Cecily Beasley

Hi Chaps,

My book, 'Watch Your Tongue Cecily Beasley' has been reviewed by Kirkus Reviews!
This is the first review I've had, which is quite exciting, and luckily it's a good one.

It says some lovely stuff about the story, which is spot on, and says that my artwork has 'fruity tropical colour and theatrical linework', which is a great phrase.
But after working away largely alone on something, it is very nice to get some independant positive feedback.

This is the full review.

“That’s right, Cecily. If you make an ugly face, it just might get stuck.
There once was a time that little Cecily Beasley was a grade-A brat. She wouldn’t share; she slurped her food; her belches—public and smirk-enhanced—were stinky. She would stick out her tongue and waggle her fingers, and she took no heed when warned her gesture might freeze just so. Sure’s shootin’, one day her tongue won't retract, and a Mockingbeak Tongue-snatcher quickly makes a nest thereupon. A doctor counsels the family not to disturb the bird, which can be as feisty and ill-mannered a customer as Cecily. She had to wait—patience not being among her virtues, either—for the eggs to hatch.
Fredrickson’s salute to the risks of bad manners is gladdening and admonitory in all the right, playful ways. When the Tongue-snatcher hatchlings stick their collective tongues out at Cecily, it makes for a fair rebuke. Fredrickson also has her share of fun with the dexterity of her rhymes: “It’s a Mockingbeak Tongue-snatcher, rude and tenacious. / They roost on the tongues of the loud and audacious.”
Then there are Davis’ illustrations full of fruity, tropical color and theatrical line work; they are spot-on in catching Cecily in her predicament—the sheer misery of having a tongue as big as a mature sea cucumber.
This snazzy cautionary tale packs quite a bite (even with its tongue in the way). (Picture book. 4-7)”

It's available for subscribers to read now on the website here, and I believe it will appear for everyone to read two weeks before publication.
But I'll blog or tweet again when everyone can see it.
Here's an interior spread from it.